The game we're playing is Street Masters, which has a new expansion (as well as the base game) on Kickstarter RIGHT NOW. If you're in the mood for some dumb, schlocky fun, Street Masters is precisely the kind of smart dumb fun that we can get behind.
If you'd like to watch the video and our gut-busting Twitch commenters at the same time, the stream will be available here for the next couple of months. Oh, and look forward to more co-op combat in a couple of weeks, because on the 22nd of November we'll be streaming Gloomhaven, and Quinns will be doing his best to make a permanent impact on Matt's campaign.
Have a great weekend, everybody.
That is probably a strange place to start my review of Games Workshop's newest offering, Kill Team! A re-release of a variant of Warhammer 40,000, the game's big selling point is its size. Unlike the sell-your-car-budget armies of its larger cousin, in Kill Team each player uses a small band of 5-20 miniatures to do battle in a space designed to fit on a kitchen table. As I've played around with it, though, I find myself at a loss as to what to say.
Kill Team is, at the same time, an exhausting incremental iteration on a tired system... and the best thing Games Workshop has released in years.
But what will Matt and Quinns make of it? For one thing, this wouldn't be the first time that Lord of the Rings was accused of being too long.
Click play, and let their opinions seep into your very bones.
And boy, those mechanics have stood the test of time. It's still tons of fun to invade a country with a buddy, rolling handfuls of dice together and stretching your armies too far, too fast. Click play and find out why Quinns calls this series the mac & cheese of wargaming.
If you’re expecting a traditional game of nudging toy soldiers around a map, Rising Sun might leave players bored, confused, or quietly in a huff. But if you can get your head around what it is, and teach your friends what it is (and isn't), Rising Sun can be really very good.
I first felt the tingle of that power when I was seven years old. It was an open house at a local technical school. Back in a corner, away from the admittedly-modest crowds, was a little display for a “flat screen” television, cutting edge technology of that long, long time ago. The exhibit had just started, and as I walked up, two droids were surveying the blasted landscape of Tatooine. Perched on a ledge, I sat for the next six hours and watched the entire trilogy, lost in a galaxy far, far away.
That makes Star Wars: Legion, the new miniatures game from Fantasy Flight, hard to review. It tempts me to be too generous – just putting a lightsaber in someone's hand provokes the ghost of a chill. At the same time, it makes me worry I will set the bar too high. To have expectations no collection of cardboard and plastic could ever meet. I say this to acknowledge that I come to this game as the farthest thing from a blank slate. I am a fanboy, with all the enthusiasm and critical nitpicking that entails.
Eric: A few years ago I had the chance to revisit the grade school I attended as a child. It was a jarring afternoon. The huge hallways were suddenly kind of small. I could see over the bookshelves in the library where I used to get lost. The teachers... several of them were younger than me. I walked in the door feeling nostalgic; I left a bit unsettled.
I found myself remembering that visit as I got ready to open Games Workshop's new remake of Necromunda. A skirmish game set in the collapsing underbellies of hive cities in the Warhammer 40,000 universe, the original Necromunda one-upped the grim darkness of the 41st millenia by adding gangs, drugs, slavery, abject poverty and child soldiers. To a 15-year-old me, it was a thing of glorious joy. Yet I wondered, would this turn out to be just another narrow-halled school with five-foot bookshelves?
What does the expansion add? Well, let me just quote the press materials: “Rise of the Empire isn't just inspired by Rogue One; it follows the movie's example, adding new depth and story to the Rebellion game experience just as seamlessly as Rogue One provided new insight into the Galactic Civil War presented in the original Star Wars trilogy.”
Matt: I just did a big vomit out of a window. In Real-World Terms™ it’s an expansion that adds quite a bunch of stuff: new leader characters, new cards, a whole new combat system, more unit types and plastic figures, and a brand new planet: EWOK-HOTH, HOME OF THE CHILLYBEARS.
That was my desk.
It isn't much to look at – an austere, industrial thing. The kind of desk I now imagine factory workers flipping over in some proletarian revolution. But I spent huge amounts of my late childhood and early teenage years here. Pouring through those roleplaying manuals stacked in one corner, drawing elaborate maps on that graph paper, and – as the spackling of color attests – painting the little figurines that line the shelf above.
Those were my first space marines.
About a month ago, Games Workshop released their 8th edition of the Warhammer 40,000 rules. Back when I was painting at that desk, it was 3rd edition I played. As much as those iterations between then and now can be seen as cynical cash grabs – partly because some of them were – there is something noteworthy about this new one. But more on that in a minute.
That was the end of my second play of Bushido by GCT Games - the actual impaling being only metaphorical, if you're the queasy sort, but the defeat and delight being real. From my first encounter, what intrigued me about Bushido was that I found it immensely pleasurable even when I lost horribly. Let me try to explain why.
If the name and picture don't make it apparent, Bushido is a tabletop skirmish game set in a world inspired by Japanese folklore, or at least a western, Tolkein-filtered riff on Japanese folklore. Elves and Dwarves are replaced by Tengu and Oni, the heroes include snake-people and warrior pandas, and the outfits look like the result of a raid on a Kurosawa film's prop closet. All in the best possible way.